As an independent producer, Kantor had directed one American Masters episode (Quincy Jones: In the Pocket, season 16, episode 4) and produced and directed the Emmy Award-winning series, Broadway: The American Musical and Make 'Em Laugh: The Funny Business of America with WNET. In 2014, Michael Kantor succeeded Lacy as executive producer. At the time of the show's premiere, she was also the East Coast head of the Sundance Institute.
American masters pbs series#
Before creating the series Lacy had been the senior programmer for Great Performances and one of the "architects" of American Playhouse, having written the original proposal for the latter. Susan Lacy, American Masters creator and former executive producer, selected each subject, matched them to the specific filmmakers, and oversaw a first-season budget of $8 million. It aired on June 23, 1986, as one of two episodes not specifically commissioned for the show's first season. The first of the 15 first-season episodes was Private Conversations, a " cinema-verite documentary by Christian Blackwood done in that trickiest of cinematic forms: a film about a film, in this instance the television version of Death of a Salesman, directed by Volker Schlöndorff". History Īmerican Masters, a series "devoted to America's 'greatest native-born and adopted' artists", was originally scheduled to premiere in September 1985 for "logistical scheduling reasons" the premiere was delayed until summer 1986, though on October 16, 1985, an American Masters "special" called Aaron Copland: A Self-Portrait was aired. Groups or organizations featured include: Actors Studio, Algonquin Round Table, Group Theatre, Sweet Honey in the Rock, Women of Tin Pan Alley, Negro Ensemble Company, Juilliard School, the Beat Generation, the singer-songwriters of the 1970s, Sun Records, vaudeville, and Warner Bros. I agree until the 'damned if she doesn't' ! I think the real fans know that the lady isn't one to focus on looking back [[as you say) and also simply to keep her private life to herself, and we accept that.American Masters is a PBS television series which produces biographies on enduring writers, musicians, visual and performing artists, dramatists, filmmakers, and those who have left an indelible impression on the cultural landscape of the United States. In one of her tour programs, she says something like she "only touches on the past in relation to there I am today." So because she takes that perspective, we end up with profiles of her on E! TRUE HOLLYWOOD STORY or MATT LAUER'S HEADLINERS AND LEGENDS, and with no participation from her, although the latter did include her sister Rita. But I don't think Diana is the type of person who looks back. I would love for Diana to be profiled by AMERICAN MASTERS and while she is here to contribute to it. She's almost damned if she does and damned if she doesn't. Everyone else has had their say and she deserves the same. I also think that Diana might be a bit fearful of revealing her true feelings about some of her past, particularly the Motown years. But nothing has materialized from either project. Circa 1999, again there was talk that she was doing something on the Supremes and this was mentioned briefly during her Oprah appearance that year. During one of her honors, they showed a bit of she and Rhonda walking through the Brewster Projects and I think it was from this project. In one of her tour programs, she says something like she "only touches on the past in relation to where I am today." So because she takes that perspective, we end up with profiles of her on E! TRUE HOLLYWOOD STORY or MATT LAUER'S HEADLINERS AND LEGENDS, and with no participation from her, although the latter did include her sister Rita.Ĭirca 1993, in the midst of her SECRETS OF A SPARROW blitz, Diana was supposed to be producing a mini-series on her career.
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